Monthly Archives: May 2010

A few recent drawings from the sketchbook.

Our future is perfected…

“There are two bodies — the rudimental and the complete ; corresponding with the two conditions of the worm and the butterfly. What we call “death,” is but the painful metamorphosis. Our present incarnation is progressive, preparatory, temporary. Our future is perfected, ultimate, immortal. The ultimate life is the full design.”
- Edgar Allan Poe

I draw to explore what could be. Most of what you see on this blog isn’t intended for any specific client or project. I produce this work to keep my creative energy burning bright, as the realities of the 9-5 can sometimes wear it down. I sketched this totem while sitting in bed. I had no particular plan in mind as I set out. I simply draw to see what emerges. I’ve talked frequently about this method of composing an image. I find that some of my best work is completely unplanned like this.

All in all, I’d probably be completely mad if I didn’t practice this cathartic kind of drawing.

Tokyo Nostalgia…

I can’t believe it’s been four years since I was last in Tokyo. Like New York, the Japanese capital has and indescribable energy to it. Neon abounds, and a musky aroma fills the air. It’s a smell that’s unmistakably Tokyo. It’s the kind of place that exists in your heart long after you’ve left. I’m planning a return trip next year, but until then I can always visit through photographs; and I thought I wasn’t nostalgic…

Anatomy of my Setup

Coffee

Coffee is a necessary part of my daily routine. I get into the office and brew pot of Stumptown in the mini coffee maker behind my desk. When I say I would give up booze or meat before giving up coffee, I mean it.

Headphones

Music and art go hand in hand. What music goes best with design? Depends on who you ask, I would say either Tech-House or Balearic Revival Disco.

Macbook Pro

My workhorse. She hasn’t failed me yet (knock on wood). Anything from a 729 x 90 pixel banner ad to a 30 x 15 foot building wrap is no problem for this pixel pushing juggernaut. They don’t make them better than this.

Auxiliary Display

With the amount of multitasking I do on a daily basis, one screen certainly isn’t enough. I typically do most of my work on the screen of my MacBook. I use the auxiliary monitor mainly for file browsing within Adobe Bridge. Other than that it’s all iChat and iTunes. Now if I only had an auxiliary pair of hands…

Wacom Tablet

I’ve been using a Wacom tablet for four years now. While I can get by with a mouse, I’m infinitely quicker when I have a stylus in hand. It’s great for clipping paths, vector graphics and Photoshop brushwork. For layout and typographic work I rely on my…

Magic Mouse

I can live without the iPad (for the time being at least), but the Apple Magic Mouse is an essential part of my design kit. The whole damn thing is a touchpad, so there’s no better tool for quickly scrolling through a document to find that specific area you need to edit. In the morning I boot up my Google Reader and I can know what’s going on in the world with just a few flicks of the index finger.

Sketchbook

Despite my ample collection of technologically advanced computer input devices, nothing can really beat the old pencil and paper. I do a lot of concept development sketching, and I find the ideas flow more readily when I’m working directly on paper. My left-handedness may cause me to smudge the lead as I draw and write, but I’ve learned to live with it.

Epson Scanner

This stalwart scanner allows me to get my sketches into the computer. In Photoshop I’ll clean the sketches up and add bits of color to liven things a bit. I’m also a texture junkie, if you didn’t know. I love to scan interesting pieces of paper, an ink wash, a piece of fabric or even my own hand. Why buy textures off some stock site when you can scan anything yourself? A good scanner is a necessary part of any designers arsenal.

Ergonomic Wrist Cushion

Laugh if you will, but carpal tunnel is no laughing matter. When you work on the computer as much as I do, the strain on the wrists can really add up.

So this is my setup. I’m sure this is pretty typical amongst designers. I’m at home here, and I seem to be able to get a decent amount of work done. What’s in your setup?

“Some people never go crazy…”

“…What truly horrible lives they must live” – Charles Bukowski

The second subject in our series of portraits is Charles Bukowski. Like Pee Wee, the man needs little to no introduction. Giant of American Lit, womanizer, drunk, fighter; Bukowski lived more of a life than most of us ever will. We both had a lot of fun with this portrait. I wanted the texture to be more prominent than the color. The writer lived in a cloud of cigarette smoke, soaked in wine and sex, and I wanted to show it. With each of these collaboration we get a little tighter in our workflow. The future looks bright for Eagle & Wolf.

Eagle & Wolf Collab: Pee Wee Herman

May has been moving along at a steady clip. Birthday madness has coupled with looming deadlines to keep me away from my blogging duties. No longer. The Wolf and I have been at work in the studio on a few projects. We’re moving into the realm of portraiture, and who better to start it off than Pee Wee Herman. Maryanna provided a brilliant likeness in ink and charcoal for me to lend my digital touch to. I couldn’t ask for a better starting point. Her shading picks up the texture and color that I add in post very well.

I wanted the background to pay tribute to Gary Panter, who art directed the Pee Wee’s Playhouse TV show. Panter’s work has definitely inspired my style over the years. The resulting composition is an acid soaked portrayal of a very interesting character.

Maryanna’s original drawing: