Monthly Archives: December 2010

Highlights of 2010


2009 was a rocky year. A lot happened, some of it very good and some of it very bad. I saw a lot of growth in 2010 in many regards: professionally, creatively, mentally and emotionally. I have a feeling that 2011 will be a watershed year, where things really start to take in exciting new directions. Here are my highlights of 2010, recapped in a somewhat chronological order. Here we go!

My first trip to New York City

Nobody forgets their first time in New York City. The city pulses with a distinctive energy that buries itself in your spirit and never leaves. It’s everything you imagined and more. Early in 2010 I visited New York on a work trip, for an adidas project. I got to see my work up in Times Square, and in Soho. Watching Darth Vader march through the city with Snoop Dogg and a squadron of Storm Troopers was quite surreal and thrilling. Definitely a good first introduction to the Big Apple.




Amazing dining on Portland

Beaker & Flask, Clyde Common, Le Pigeon, Biwa, Piazza Italia, Olympic Provisions, Nostrana and the list goes on; Maryanna and I have a knack for spoiling ourselves. It’s easy when Portland provides such an amazing, ever-expanding array of dining options that are actually quite affordable. It doesn’t hurt to have a partner that enjoys the experience as much as I do. What’s on the list for 2011? Gruner, Laurelhurst Kitchen and Beast for starters.

Las Vegas with good friends

Vegas is a complete mess, but that’s the beauty of it. Go there with some good friends and you’ll come back with stories for ages.

Meeting Milton Glaser

I discovered the work of Milton Glaser in school and I quickly latched on to his stylistic melding of design and illustration. Thanks to the fabulous Margaret Richardson, we were able to visit with the legendary designer, whom I consider one of the most influential figures on my own creative practice. What do you ask your hero? I wondered about his opinion on the difference between art and design. The answer I received was suitably enigmatic and utilitarian, I’m still mulling it over to this day.


Jason & Jake’s Epic Birthday Bash

The birthdays of Jason Resch and myself fall close together in the month of May. This year we combined forces for a celebration of epic proportions, with the gracious support of New Deal Distillery. My brother DJ’ed and Guantanamo Baywatch closed out the night with a raging performance. It was quite the memorable birthday.



Eagle & Wolf Collaborations

I found in Maryanna Hoggatt not only a companion and life partner, but also a great collaborator. Our styles and approaches differ quite a bit, but when we combine the two the result is always interesting. For the majority of the pieces I did digital post-production work on ink and charcoal drawings that she produced. I know 2011 will see us mixing it up even more. Check out the Eagle & Wolf portfolio HERE.



Adopting Theodore

While Theo, like any feline, has his quirks and neuroses. He’s one of the most personable cats I’ve ever met and the perfect housemate / studio buddy. We couldn’t ask for a better companion.

Ford Photoshoot in Seattle with Tim Soter

Tim Soter is a creative soul, who’s passion for his craft is apparent not only in each photo he takes, but also in his rapport with his subjects. He has a way of putting people at ease, as if you’ve known him for years, rather than just having met this photographer taking your picture. It was a blast driving around my birthplace of Seattle with Tim, finding iconic spots around the city. He’s amazingly fun to work with and I hope I’ll get another chance to do so in the near future. Check out his phenomenal PORTFOLIO.

Photo by Tim Soter
Photo by Tim Soter

Getting Tattooed by Clae Welch

Long before I ever had any ink embedded in my skin, my dad showed me the portfolio of a guy he had taught at PNCA. When I saw it I knew I wanted a piece from Clae Welch. The detail, care and craftsmanship he puts into his work is second to none. Finally, on my 25th birthday I visited his studio with an idea in my head, knowing he would execute it perfectly. Three months later I was the proud owner of my first (and certainly not last) Clae Welch tattoo. I can’t wait for the next piece! Behold the work of Clae Welch.

Rebranding myself

I left my last agency job with a thirst for something new. I needed a new personal brand to reflect this. It took several weeks and dozens upon dozens of logo variations, but I finally ended up with a mark that I can be proud of.


Hawaii trip with Maryanna

Our trip to Hawaii was a vacation, pure and simple. The island of Kauai’i is the kind of place where the pressures to be productive melt away into the ocean. We absorbed enough sun and relaxation to [hopefully] last us through the long, wet, Portland winter.


2010 was a great year. I’m so thankful for the friends and family that made these opportunities possible. Let’s all make 2011 an even more amazing year!

Thurston Moore in Portland


It seemed preposterous, but rumor was that the legendary Thurston Moore of Sonic Youth, the godfather of noise was going to play a house show in Portland. We walked up to the old house, curiosity in tow. Several others had heard the rumor as well. The crowd steadily grew, fueled by text messages and twitter updates. Word circulated of a delayed flight, as the openers churned out a healthy racket. In the kitchen, Steven Malkmus conversed with Cat Power and the ladies from Sleater Kinney.
As Thurston Moore arrived, the crowd buzzed with anticipation. When he eventually strapped on his beat up guitar to play some music, he unleashed a beautiful sea of caustic noise. The onslaught lasted for 15 minutes and when it finally subsided everyone looked around at each other as if to confirm that it actually happened. Just when you think you’ve seen all that there is to see in this town, Portland provides an experience that’s completely unexpected.









Color therapy


Portland suffers from a lack of color for a good part of the year. Due to a lack of general sunlight the leaf bearing trees give up their photosynthetic pursuits in favor of a long period of hibernation. This is all in contrast to the Summer months, when the local flora issues forth a great bounty of fully saturated colors. Portland may be known as a very green city, but it can be oppressively gray during these winter months. The remedy? We hole ourselves up in the studio and create our own light & color.





Georgia & David


A Christmas gift for my Grandmother.







Making a script by hand


With this lettering, I started by referencing a script font. Instead of placing the template on the light table, I drew it out freehand because I wanted the letterforms to be more reflective of my own style. I sketched first in pencil, plotting my lines slowly and deliberately. Drawings like this are like meditation. You have to clear out your mind and focus only on the line, and its proximity to the lines surrounding it. I find it quite relaxing actually.



Once the basic forms of the script are in place, I begin to improvise some flourishes coming off of the letters. I don’t really have a strategy for this besides keeping the composition balanced. It’s all about what feels right.


Once I’m satisfied with the pencil sketch, I bring in the ink. I make sure not to draw too heavily with the mechanical pencil, so that the marks are easily erased once I’ve created all of the ink work. Using the micron pen I create my lines with great care, because if you mess up it’s permanent. There is something to be said for the small mistakes and variances that are certain to occur though. I try my hardest not to make them, but when they do happen it’s best to embrace them. The small flaws are what make the piece unique. If I wanted it to be absolutely perfect I would’ve just stuck with the digital font.



Filling the letterforms can be quite fun. The hardest part has been completed and the fear of messing the piece up with some stray ink is much less. There’s something so satisfying about creating fields of pure black. Add a bit of depth I created highlights by hatching parts of the larger fill areas. This keeps things dynamic, instead of just flat black.



The more I create lettering by hand, the more I fall in love with it. It’s the perfect synthesis of my passions for both typography and drawing. Even if in the end I bring the letterforms back into the computer to manipulate further, I savor that period where I’m holding the piece in my hand; shifting the paper to attack it from that perfect angle. The digital process can add something so valuable to a composition, but other times it can hinder the pure creative process. I think I’ll always be seeking that perfect balance between the tangible and the digital.

Making gold with ink & watercolor